The sweet sound of disappointment

I was at the Doug Fir on Sunday for the free CD release show of Sounds Like Fun. My being there was less about the band and more about being out. I go to concerts in waves, and I think I'm about to catch one right now. Still, the band was excellent good fun. A trio of gentlemen singing unabashedly happy songs in three part harmonies.

In contrast to the choral bliss of Sounds Like Fun, Dat'r was about pounding beats and blips with atonal vocal droning. I'm tempted to call them Portland's Crystal Method. It's not the right thing to say about them, but it'll do in a pinch. Dat'r is 2/3 of The Binary Dolls, a band I once lauded in a WW preview enough for them to quote me on press releases. I heart this band. I heart the solo work of Dolls frontman Nick Jaina. So it only follows that I love Dat'r. All three incarnations offer different pleasures. Dat'r offered the universal pleasure of ass shaking on Sunday night. To the pre-recorded loops and samples, they add live accents - most notably the emphatic symbol crashing of Paul Alcott. The bouyancy of his curly locks as he bounces about the stage with sticks and microphones is perhaps the most wonderful thing I've ever seen.

What this brings me to is the inevitable purchase of both bands CDs. And, as happens time and time again, I am let down by the music once contained in ones and zeros. In the complete reverse effect of what needed to happen, the rumbling urgency of Dat'r is overcome by the now comprehensible whining lyrics that were much better as complimetary melodies. And Sounds Like Fun's album washes out the power of the vocals. Live, I would have followed that voice like a Pied Piper to wherever it led me. And, of course, the one song that cemented my purchase of the album is not actually on it. Damn.

I've talked much with Russ about the value of local music VS the established cannon and rising stars. It's not a debate one of us feels need to be "right" about - which is rare for he and I - but rather oposite views. I cherish the local music for its intimacy and involvement. I love buying the CD that was silk screened by the hand that now plucks notes on the guitar and knowing my X dollars goes directly to his pocket. I love the little shows where no matter where you stand, you are within spitting distance of an empassioned vocalist. I love seeing these people at their day jobs or parties and telling them I appreciate their art. And so, for all this, I accept the inherent risks and disappointments. I make allowances. I give benefits of doubt. And I love it all.

Thank you for reading.